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Bernard Green
(1931 - 1998)
The following works are offered for sale on behalf of the artist’s estate, including a selection of paintings and linocuts produced by Bernard Green as well as a selection of linocuts that he produced with his wife Margaret Green.
Click on thumbnails for further details
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Bernard Green
Mt. Snowdon, Portmeirion
Linocut engraving, edition of 90 45 x 34 cm
£295
£395 Framed
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Bernard Green
Llyn Pardarn and Snowdon
Linocut engraving, edition of 50 30 x 60 cm
£325
£425 Framed
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Bernard Green
Spring at Three Cliffs Gower
Linocut engraving, edition of 75 34 x 45 cm
£295
£395 Framed
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Bernard Green
Carreg Cennen Castle
Linocut engraving, edition of 25 33 x 44 cm
£295
Framed £395
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Bernard Green
Tenby Harbour
Linocut engraving, edition of 40
£295
Framed £395
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Bernard Green
Autumn Reflections Grassmere, Cumbria
Linocut engraving, edition of 28
40 x 57mm
£295
Framed £395
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Bernard Green
Blue Wave and Gull
Linocut engraving, edition of 55 34 x 45 cm
£295
Framed £395
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Bernard Green
Snowdon from Anglesey
Linocut engraving, edition of 40 34 x 45 cm
£295
Framed £395
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Bernard Green
Llandeio, Late Summer
Linocut engraving, edition of 25 33 x 43 cm
£295
Framed £395
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Bernard Green
Caswell Bay, Gower
Linocut engraving, edition of 25 33 x 44 cm
£295
Framed £395
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Bernard Green
Dale Peninsula, Pembrokeshire
Linocut engraving, edition of 30 26 x 35 cm
£200
Framed £300
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Bernard Green
Elterwater Bridge, Cumbria
Linocut engraving, edition of 30 30 x 40 cm
£200
Framed £300
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Bernard Green studied at Birmingham College of Art & Design and became a painter, print maker and sculptor.
His early paintings were mainly large abstract works, inspired by music, the landscape, the world around him and the exploration of outer space that captured people’s imagination in the 1960s. His paintings explored the use of line and colour, creating illusions of space using colour on flat surfaces.
In 1977 he moved to Pembrokeshire in Wales where he ran the Hendre Cross Gallery together with his wife Margaret, also an artist. Bernard became well known in Wales primarily for his linocut prints of the Welsh landscape. Although the linocut is often overlooked and regarded as a simplistic and crude medium, Bernard refined his technique, creating multiple layers of colour, each individually pressed, using subtle blending of the pigments to create a sophisticated and atmospheric rendition of the subjects. The process is a reduction method which involved carving the lino in stages, colour by colour, each time adding a new element onto the image. Often this process would be repeated over a dozen times, meaning that each print could take weeks to produce.
His prints were pressed on his large Columbian proofing press (circa 1853), a very physically demanding and laborious process. The press is now on display at the Swansea Print Workshop. |
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Bernard Green
Windsor Castle
Linocut engraving, edition of 60 30 x 60 cm
£325
Framed £425
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Bernard Green
Ravello Gardens
Linocut engraving, edition of 25 31 x 70 cm
£325
Framed £425
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Bernard Green
Newport Castle
Linocut engraving, edition of 35 30 x 60 cm
£325
Framed £425
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Bernard Green
Laugharne Castle and Dylan Thomas's Boathouse
Linocut engraving, edition of 60 30 x 60 cm
£350
Framed £450
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Bernard Green
Peel
Linocut engraving, Artist's Proof 23 x 34 cm
£200
Framed £300
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Bernard Green
A peeling trio
Linocut engraving, edition of 45
31 x 31 cm
£200
£300 Framed
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Bernard Green
Fire earth and water
Linocut engraving, edition of 25
58 x 30 cm
£250
£350 Framed
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His work was exhibited at The Royal Cambrian Academy, The Royal Birmingham Society, Royal West of England Academy, the Royal Society of Painters Etchers & Engravers and at various gallery exhibitions in England and Wales. In 1986 he was artist in residence at the Graham Sutherland Gallery in Picton. In the 1980s he was commissioned by HM the Queen to produce a view of Caernarfon Castle as the subject for the Royal Telemessage.
His work is in various collections including HM the Queen, British Telecom, Lloyds Bank, Gulf Bank, Kuwait, National Library of Wales, Derby Museum, Haverfordwest Museum & Gallery, Scolton Manor Museum.
Margaret Green worked together with husband Bernard at the Hendre Cross Gallery in Wales which they ran together during the 1980s and 90s. While Bernard specialised in landscape and abstract works, Margaret was drawn to animal and flower subjects.
The reduction method much favoured by Picasso can also be used to produce multi colour prints from one block making the registration process much easier. Each colour is printed in turn on the entire edition of the print then cut away making way for the next colour until there is very little left of the original block. This method has its pitfalls and needs planning but is an exciting way of making colour prints. |
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Margaret Green
Marguerite Daisies
Linocut engraving, Edition of 30 35 x 25 cm
£295
Framed £410
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Margaret Green
The Conservatory
Linocut engraving, Edition of 18 45 x 34 cm
£295
Framed £410
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Margaret Green
Young Barn Owls
Linocut engraving, Edition of 20 35 x 25 cm
£295
Framed £410
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Margaret Green
The Moonlight Cat
Linocut engraving, edition of 25 45 x 35 cm
£250
£350 Framed
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Margaret Green
Ginger Jack
Linocut engraving, edition of 25 43 x 31 cm
£250
£350 Framed
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Bernard Green
All That Glisters
Acrylic on canvas 39 x 48 inches
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Bernard Green
Terminal
Oil on canvas 88 x 92 inches
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